朱莉安娜·芭芭莎(Juliana Barbassa) 出生于巴西，通晓葡萄牙语， 曾于2010至2013年间担任美联社驻里约特派记者。对巴西社会及政经议题了解透彻，经常受BBC、美国国家公共电台等媒体邀请，分析里约以及巴西的各种争议问题。 吴纬疆 世新大学传播研究所硕士，自由译者，曾任国家地理杂志资深编辑。

The year is 1815 and Captain Hugh Austen of the Grenadier Guards is attending a ball before he leads his troops to face Napoleon at Waterloo. A young woman asks his help and the vanishes, leaving only a miniature portrait of herself. The woman is connected with a Satanic Man in Black who is rumored to practice Unhallowed Arts. Soon, Austen discovers that the mysterious woman wa...(展开全部)

The year is 1815 and Captain Hugh Austen of the Grenadier Guards is attending a ball before he leads his troops to face Napoleon at Waterloo. A young woman asks his help and the vanishes, leaving only a miniature portrait of herself. The woman is connected with a Satanic Man in Black who is rumored to practice Unhallowed Arts. Soon, Austen discovers that the mysterious woman wa...(展开全部)

"STARTLING . . . FIENDISH . . . MEMNOCH'S TALE IS COMPELLING."--New York Daily News "Like Interview with the Vampire, Memnoch has a half-maddened, fever-pitch intensity. . . . Narrated by Rice's most cherished character, the vampire Lestat, Memnoch tells a tale as old as Scripture's legends and as modern as today's religious strife."--Rolling Stone "SENSUAL . . . BOLD, FAST-PAC...(展开全部)

AN ANGOULEME AWARD WINNER RETURNS WITH A PARABLE ABOUT LIFE IN THE ART WORLD "The Making Of" is the follow-up to international sensation Brecht Evens's Eisner-nominated debut, "The Wrong Place." With lush watercolors and his characteristic wit, Evens details the fumbling, amateurish foibles of the participants of a small art festival in the Flemish countryside. Pieterjan is i...(展开全部)

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

克里斯托弗·道森（Christopher Dawson, 1889-1970），英国当代著名的文化哲学家、历史学家、文化史学家和社会学家。代表著作有《神祇时代》《欧洲的形成：欧洲统一史导论》《理解欧洲》《世界历史的动力》等。道森以文化史、文化哲学、宗教哲学研究闻名于世， 横跨历史学、社会学、人类学等多个领域，是20世纪知识分子的典范。

This study discusses basic questions about Rubens's art and life, studies two of his bacchic paintings in detail and describes him in a less easy and more identifiably modern predicament.

Reconsiders the concensus on Rubens as a successful, prolific, and facile court painter who is dwarfed by the achievements of his near-contemporary Rembrandt. This book scrutinizes the assumptions upon which this image is built, and discovers an artist involved with ambivalence and ambiguity.